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Click on slideshow photos for description

Brief Details:

Name: Monument to the Fallen Partisan Detachment from Zenica

Location: Smetovi Hill, Zenica, FBiH, Bosnia & Herzegovina

Year completed: 1968

Designer: Arfan Hozić

Coordinates: N44°14'41.1", E17°57'34.8" (click for map)

Dimensions: ~13m tall obelisk

Materials used: Steel frame covered with aluminum plates

Condition: Fair, some neglect and disrepair


The monument here at the Zenica spomenik complex commemorates the fighters of the Zenica Partisan Detachment who perished during struggles with Axis forces and Chetnik fighters in May of 1942.

World War II

After the Axis invasion and occupation of the Kingdom of Yugoslavia in April of 1941, the area of present-day Bosnia was integrated into the Axis-run puppet-state of the Independent State of Croatia (NDH), whose defense was administered by the Croatian nationalist militia called the Ustaše (Photo 1). The town of Zenica, which was included within the boundaries of the NDH, faced brutal oppression by their Ustaše occupiers, which led to the creation of armed resistance units being organized by the region's anti-fascist communist rebels ( who called themselves 'Partisans'). In the spring of 1942, Axis German, Croatian and Italian military forces organized a counter-insurgency plan against this Partisan uprising called 'Operation Trio', which was intent on undermining their advancing brigades in the Bosnian region. The plan consisted of creating a violent schism between royalist Serb Chetniks and the ethnically diverse communist-led Partisans, who had, until that point, cooperatively fought in organized brigades against Axis forces across the Yugoslav region. Not only were military engagements and maneuvers part of this Axis operation, but the plan also included the use of racial-based propaganda in order to exploit the ethnic tensions and hatred within the brigades between the royalist ethnic-Serb Chetniks and the anti-royalist communist Partisans. Furthermore, another facet of Operation Trio was to use anti-Partisan propaganda to turn Zenica's ethnic-Serb population against the Partisans, which they achieved by leading these local ethnic-Serbs to believe that the Partisans were a foreign-led and controlled force there to hurt them and not help them.

As Operation Trio was put into effect, many Chetnik-led coups were instigated within brigades against their Partisan partners, resulting in many Partisan soldiers being murdered by Chetniks within their own ranks and units. One of these coups occurred in the town of Zenica on Smetovi Hill on May 8th, 1942, when angry and disaffected Cheniks massacred roughly 32 of their own Partisan fighters within the 3rd East-Bosnian Strike Battalion and the Zenica Partisan Detachment. After these coups, the Chetniks switched sides and began collaborating with the Axis Italians and the Ustaše regime, taking control of eastern Bosnia for the rest of 1942, while Partisan forces withdrew and re-organized in western Bosnia. Then, in the fall of 1943, Partisan recruiter Ivan Rački arrived in Zenica and began to enlist disaffected local Muslims in Zenica to join the uprising, as the Muslim community was one of the few groups left in Zenica who were sympathetic to the Partisan rebellion. In June of 1944, Rački organized the Vlašić Partisan Detachment, named after the nearby mountain and comprised mostly of Bosnian Muslims, whose ranks swelled to over 600 fighters by the following August.

Photo 1: A view of the market in Zenica just weeks after the town was taken over by Axis forces, 1941

The Ustaše waged massive attacks against the Muslim community in Zenica in response to these actions, however, by early 1944, hundreds of Muslims were still eagerly joining the Partisans. Then, on the 10th of April, 1944, the day after the liberation of Sarajevo, a group of fighters from the 5th Partisan Corps sneaked into the city disguised as German soldiers in order to secure the town's industrial infrastructure from Axis destruction during the upcoming liberation battle. The next day, the Partisan fight for the liberation of Zenica began. Finally, on the 12th of April, 1944, the city of Zenica was liberated by the Partisan 10th Krajina Division, but not before the Germans and Ustaše went on a mass killing spree of civilians during their final retreat.

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Photo 2: Vintage photo showing bullet-like holes

Spomenik Construction

In the mid-1960s, local communist party officials and veteran groups in the Zenica area (with aide from the Yugoslav government) made plans to construct a commemorative complex near the summit of Smetovi Hill (in the mountains northeast of Zenica), where the Chetnik massacre against Partisan fighters occurred. A selection committee was assembled to organize the creation of the monument, with the group being chaired by Zenica cultural luminary (and metal-working union organizer) Mensur Serdarević. The selection committee then initiated a design competition in which members of the public could propose monument concepts. Of the five proposals submitted, the one put forward by notable Sarajevo-based designer Arfan Hozić was selected. The memorial sculpture, which resides at an elevation of roughly 940m atop Smetovi Hill (just north-east of Zenica), was officially unveiled to the public on July 27th, 1968, a date which marked the Day of Uprising of the People of Bosnia. The primary element of the complex consists of an aluminum-plated flared pylon/obelisk situated on a paved stone base, with the pylon/obelisk topped with three points. This highly polished aluminum facade of the sculpture gave the object a highly luminescent appearance so much so that it could often be seen from the town center of Zenica when the light reflected off of it in just the right way. One notable element originally included on this metal facade was a line of bullet-like holes crossing the upper part of the sculpture's front side (Photo 2).

Attached to the base of the pylon are two marble panels bearing engraved inscriptions. Surrounding the monument is a modest iron fence, within which several tall conifer trees are presently growing (however, they are not original to the site). Just north of the spomenik (about 30m) a small amphitheatre was included within the complex, which was originally used for historical presentations and cultural events.

Yugoslav-era to Present-Day

During the Yugoslav-era, this monument at the Smetovi Hill site was well patronized and memorialized with official ceremonies, especially on the Day of the Uprising holiday on July 27th. However, the holiday was abolished after the independence movement began following Bosnia's first free elections in 1990, which lead to a drop in attendance to the site and no further official recognition. Then, with the ensuing Yugoslav Wars of the 1990s, the amphitheatre and many other elements of the spomenik complex have fallen into neglect and disrepair. The most significant damage to the monument came in 2003, when vandals toppled the monument to the ground and stripped it of its metal skin (Photo 3). However, despite this damage, local groups and Zenica officials quickly banded together to rebuild and repair the damaged memorial sculpture. Yet, local sources have related that this replacement metal skin used on the monument was of a much lower quality (and less reflective) metal facade, a change that compromised the original appearance of the work. Also, it is notable to point out that at some point in the post-Yugoslav-era (perhaps after its 2003 reconstruction) a large red star was painted on the upper section of the monument. It is unknown who added the star. This addition has remained on the monument until the present day.


Photo 3: A 2003 photo of the destroyed monument [source]


Photo 4: View from Smetovi Hill

Through the decades, a significant number of people continue to visit this monument site, largely as a virtue of the top of Smetovi Hill being a popular recreation destination for locals (given its amazing panoramic views of Zenica and the surrounding mountains) (Photo 4). Also, it bears mentioning that another reason that Smetovi Hill is such a popular destination with locals in Zenica is it is seen as a place to escape from the often polluted air which often gets trapped in the basin within which the town of Zenica resides. As a result, while the monument's condition is certainly not pristine, it is not as neglected or degraded as some other spomenik sites in Bosnia (such as Makljen or Grmeč, for instance). Yet, the high visitor traffic to the monument park can often result in the area being littered with trash and refuse. Much work would need to be done if the Zenica municipality wished to fully rehabilitate and renovate the structure, along with all its accompanying memorial elements.

Plaques, Engravings and Graffiti:

This obelisk-shaped spomenik has engravings on both sides done in speckled black marble. The north facing side of the obelisk (Slide 1) translates  from Bosnian to English as:

"To the soldiers of Zenica, partisans, regiments and the 3rd Bosnian Battalion, who all died in a Chetnik attack from the 8th to the 15th of May, 1942."

Then the names of the lost fighters are listed below, and at the bottom of the plaque, the construction date is listed as July 27th 1968, as well as that the work was organized by the Federal Association of Veterans in the Municipality of Zenica. On the south side of the obelisk (Slide 2), there is a poem by Bosnian poet and historian Izet Sarajlić (Photo 5), which roughly translate as:


"And don't ask if they could come back, and don't ask if things could be back as before, because, red as Communism, burned the horizon of their desires."


Photo 5: Izet Kiko Sarajlić

This verse is from Sarajlić's famous 1953 war poem "Mala, Velika Moja" which roughly translates into English as something like "My Big, Little One". This poetic verse is essentially attempting to say that one should not ask for the fallen fighters of the Liberation Struggle to return or for things to go back to as they were before, because those fallen people had given their lives for what was felt at the time to be a world of 'glorious socialist revolution' in which many, at the time this poem was written, felt they lived within. This also would have been a sentiment that the Yugoslav government certainly would have wanted to communicate to the populace.

Graffiti is covering a good amount of the lower part of the obelisk, however, none of it appears to be of any significant note or consequence. Finally, also in the vicinity of the monument complex is a small memorial (Slide 3) which commemorates the Zenica-based 303rd Knight's Mountain Brigade who were a part of the 1st Zenica Brigade, who were all fighting units of the Army of the Republic of BiH who battled against separatists during the 1990s Bosnian War.


Upon viewing, it is not immediately clear or apparent what the artist's symbolic intention was in creating this pointed 'horned' obelisk, and unfortunately, my research was not able to yield any specific information relating what the creator of this monument, Arfan Hozić, meant to communicate with this abstract metal sculpture. However, if one interprets the shape of this monument as a symbol for a raised pitchfork, it begins to take on significant meaning. The raised pitchfork is a longstanding symbol for uprising and revolution, particularly among the peasant and working classes (Photo 6). As such, this pitchfork-shaped sculpture could stand as an embodiment of the Partisan uprising and the socialist revolution that occurred across this region during WWII. Even further, the bullet-like spray of holes that originally existed on the front of this pitchfork-shaped work could further represent the oppression and subjugation of this uprising by fascist forces and all those revolutionaries who subsequently suffered as a result.


Photo 6: The pitchfork, symbol of uprising


Photo 7: Close-up of red star

A further symbolic form included on this monument that is necessary for us to examine is the large red star painted directly onto the aluminum facade of the monument near the top of the structure's north side (Photo 7). The red star was one of the primary symbols used to represent the government of Tito's Yugoslavia and the nation's ruling Communist Party, though, such large and brazen depictions of it on abstract monuments, as seen here, were rare. Furthermore, looking at historical images of the Smetovi Hill monument from the Yugoslav-era make it clear that this star is NOT an original element of the memorial sculpture. While it is not clear exactly when the star was painted on the monument, post-Yugoslav-era photos of the monument indicate that it has been there at least since 2006. More than likely, this star was painted during the monument's post-Bosnian War reconstruction, which occurred around 2003/2004.


Photo 8: A 2017 clean-up on Smetovi Hill

Status and Condition:

The Zenica spomenik is located at the summit of well-utilized Smetovi Hill Park at an elevation of 940m, as such, it remains relatively protected and reasonably maintained. The grass is regularly cut and the grounds are kept in decent order. The park is a scenic popular place for locals to sight-see and relax (as the park has amazing panoramic views of the Zenica valley), consequently, visitorship to the spomenik is quite high due to its proximity within the park. However, it is not clear to what level daily visitors here are coming to see the monument specifically or if most are simply using this site as a place for recreation and relaxation. As a result of this high visitorship, the park can often be found scattered with trash during high traffic periods. In response, local youth clean-up efforts (Photo 8), initiated by the local Zenica government, are often carried out around Smetovi Hill, as well as calls by local organizations pressuring the municipality to do more about the trash issue at the memorial site.

The overall condition of this monument is fair, yet, there exists levels of disrepair and damage via neglect and vandalism. Some of the marble sections at the base of the monument have fallen off, while the aluminum plates covering the upper part of the obelisk are covered in graffiti towards their base. Furthermore, the aluminum plates themselves are deteriorating and in need of cleaning. In addition, there is an amphitheatre just to the NW of the spomenik. It has fallen into complete disrepair and neglect, with very little of its original infrastructure remaining. From my observations, it does not seem as if any efforts are being made to restore or repair the spomenik complex or the amphitheatre. Yet, despite this neglect, remembrance events and commemorative activities are still being held at this monument by area veteran's groups and other social organizations (Photo 9), though they do not appear to be officially recognized by any local or regional governmental bodies. These events are generally held on July 27th, Bosnian Uprising Day, which, since 1991, is no longer recognized as an official holiday by the Bosnian government. It is notable to point out that during these events which pay tribute to the WWII Partisan obelisk, the 1990s Bosnian War memorial to the RBiH 303rd Knight's Mountain Brigade is also recognized and commemorated. As of 2018, efforts have been underway to include the area of Smetovi Memorial Park within a new officially protected nature zone which will be called "Babino". Meanwhile, in 2019, city officials from Zenica pledged to conduct infrastructure improvements across the complex, including video cameras in order to inhibit vandalism, while local 'spring cleaning' efforts were also organized.


Photo 9: A 2017 event at the Smetovi Hill memorial complex

Additional Sites in the Zenica Area:

This section explores additional Yugoslav-era historical, cultural and memorial sites that are around the Zenica area which might be relevant to those already interested in the Yugoslav monuments. The two sites which will be examined here are, firstly, the monument at the Zenica train stain, as well as the Dušan Džamonja sculpture at Zenica's Bosnian National Theatre (Bosansko narodno pozorište).

Train Station Monument:

Originally in front of the central train station in Zenica was a reasonably sized 6-8 meter wide five-paneled Yugoslav-era bronze monument. Historic photos of how the monument originally looked during the Yugoslav-era can be seen in Slides 1 - 4. Sources indicate that this work was created in 1970 by sculptor Zdenko Grgić for employees of a thermal power plant in Zenica in order to celebrate 20 years of the company operating under workers' self-management. Unfortunately, I was not able to establish the author of this work (if you know, please contact me). During the Yugoslav-era, this monument was one of the major symbols of Zenica, made evident by the monument appearing on many of the city's Yugoslav-era postcards. However, the monument was completely devastated during the Bosnian War, and nothing is left now except its base (Slides 5 & 6). The exact coordinates for these ruins are N44°12'33.9", E17°54'43.0".

Train Station Monument - Slideshow


Bosnian National Theatre at Zenica:

Near the center of the city is Zenica's Bosnian National Theatre (Bosansko narodno pozorište) (BNP). This very modernist creation was opened in 1978 and designed by Sarajevo architect Zlatko Ugljen [profile page], along with Jahiel Finci, for which the team won several awards for the building's pioneering design (Slides 1 & 2). Upon its completion in 1978, it was the largest theatre in Yugoslavia. One of the most fascinating elements of the exterior was a massive metal sculpture suspended from the front entrance portico which was designed by one of Yugoslav-era's most famous sculptors, Dušan Džamonja, a keen artist known for the creation of some of the most ambitious and visually striking Yugoslav monuments such as those at Kozara and Podgarić. This hanging sculpture, which is reportedly titled 'Curtain' (Zavjesa), which resides in front of the BNP is made up of thousands of chain links welded together into a captivating flowing form of organic fins and folds.

Bosnian National Theatre at Zenica - Slideshow

In the years after the dismantling of Yugoslavia and the ensuing Bosnian War, the exterior of the theatre complex began to fall into a state of disrepair and neglect, with Slides 1 & 3 showing images from 2016 of broken windows, graffiti, chipping paint and degraded concrete (more photos can be found here at ZenicaBlog). However, in 2017, an initiative began to restore and rehabilitate the exterior of the theatre and by 2018 you can see photos in Slides 4 & 5 showing the renewed and repaired structure. The Džamonja sculpture, which had also experienced some degradation, was also restored during this time. In Slide 6 you can see Džamonja working on creating the sculpture, while in Slides 7 & 8 you can see historic photos from the Yugoslav-era of the site. The exact coordinates for the main entrance of the Bosnian National Theatre at Zenica are N44°12'05.6", E17°54'19.1".

The Beograd Department Store:

The first major modern department store to be built in Zenica was a modestly sized "NaMa" outlet opened on Marshal Tito Street in 1948 (later renamed "Zeničanka" or "The Lady of Zenica"). However, as the city grew through the decades, it became clear that a more substantial complex was necessary in order to meet the commercial needs of Zenica. As a result, in the early 1970s, planning efforts began towards the creation of a new vast shopping center in the central core of the city. The project investor was the Serbian department store chain "Beograd" and this new store in Zenica would become their biggest outlet in BiH. The design of this new modernist commercial complex was carried out by the Zagreb architectural firm "Osnova", while the construction was carried out by the local Zenica contracting firm 'Izgradnja'.

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Photo 10: A vintage photo of the 1980 opening of the "Beograd" department store in Zenica

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Photo 11: A photo of the present appearance of the original "Beograd" Department Store

The facility was finally completed and unveiled to the public on April 12th, 1980, a date which symbolized the liberation of Zenica during WWII. With over 9,500 sq m in floor space, the "Beograd" shopping center was among the largest in Yugoslavia and became an instant landmark structure for the city. Its opening was attended by thousands of people, which can be seen in Photo 10. This new complex was fitted with all of the most modern standards of the day, from an underground parking garage, to full air-conditioning, escalators and many other modern conveniences many of which were all together new for Zenica shoppers. This complex operated as the premier shopping location is Zenica for many years, however, in the post-Yugoslav-era, the building began to fall into disrepair as the result of neglect and a lack of maintenance stemming from the bankruptcy of the "Beograd" company. During the era of privatization, the building passed between owners and changed names several times. In about 2015, the exterior of the building underwent an extreme alteration when its facade was covered over with bland green and white metal panels (Photo 11), leaving it nearly unrecognizable from its original form. Today, the building still functions as a shopping center, operating under the name "VF". Its exact coordinates are 44°11'54.7"N, 17°54'45.4"E.

And Additional Sites of Interest:

  • Zenica City Museum: In the city center of Zenica off of the south banks of the Bosnia River is the Zenica City Museum. Housed in an expansive 3,000 square meter yellow traditional 19th century building with a modernist glass addition, this museum contains hundreds of exhibits exploring the region's cultural, archeological and ethnographic history. The museum's official website can be found at THIS link, while the exact coordinates for the complex are N44°12'00.3", E17°54'40.1".

  • The Lamela Building: This massive residential tower block is the tallest building in Zenica, standing as a prominent and monumental structure (Photo 12). Opening in 1976 and built by Sarajevo architect Slobodan Jovandić, this imposing structure stands 101m tall with 232 apartments over 27 floors and is locally known as the "Zenički Empajer" (a play off of the NYC Empire State Building). Built in the brutalist style, this ascending staircase six-tower block was the tallest building in Yugoslavia until the Genex Tower was built in Belgrade in 1980. For more info, see my article about the tallest buildings of Yugoslavia at THIS link. Its exact coordinates are N44°12'14.4", E17°54'27.3".

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Photo 12: Photo of the Lamela Building by Dean Djakovic [source]

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Photo 13: A photo of the Hotel Internacional in Zenica during the Yugoslav-era

  • The Hotel Internacional: Located directly next to the Bilino Polje Stadium in Zenica is the architecturally impressive Hotel Internacional (Photo 13). Built in 1978 by Bosnian architect Slobodan Jovandić, this concrete hotel complex is primarily characterized by its series of sweeping cantilevered overhangs extending from its central tower, which gives the structure a sense of floating or defying gravity. In addition, the hotel was also quite modern for era, having full air conditioning, fine restaurants, a sauna, etc, which resulted in some considering it the finest hotel in central Bosnia at the time. As such, during the Yugoslav-era, this hotel's impressive architecture and modern facilities led to it being embraced as one of Zenica's primary landmarks, appearing on many of the city's postcards and promotional materials. However, after the dismantling of Yugoslavia in the 1990s and the ensuing Bosnian War, the hotel was closed and began to fall into neglect. Since then, the Hotel Internacional has continued to lay vacant and degrade even further, remaining closed to this day. The city of Zenica has tried to find buyers, but thus far, none have purchased the site. The exact coordinates for this hotel are N44°12'23.0", E17°54'32.4".

  • The Hotel Metalurg: Located in the center of Zenica along the Bosnia River is complex that was originally known as "Hotel Metalurg" (Photo 14). Unveiled on April 12th, 1962 (the WWII Liberation Day of the city), this impressive hotel was designed by famous Sarajevo architect Juraj Neidhardt and instantly became one of the prime landmarks of Zenica, signaling its modernity and rapid progressive development. With 170 beds and 10 floors, it was the tallest building in the city upon its completion and contained a huge amount of amenities for the local population. Being that Neidhardt was a student of Le Corbusier, such influence can readily be seen in the architecture of the hotel, with its flat tower & horizontal pavilion akin to Le Corbusier's UN Building in New York and the brightly colored panels reminscent of the Unité d'Habitation in France. In 2008, the hotel was privatized and acquired by new owners, at which point its name was changed to "Hotel Dubrovnik". The interior was overhauled and no remnants of its original interior design remain. The coordinates for the complex are N44°12'11.4", E17°54'25.4".

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Photo 14: A photo of the Hotel Metalurg in Zenica during the Yugoslav-era


Photo 15: Memorial Park "Papirna" [source]

  • Memorial Park "Papirna": Situated adjacent to the small Papirna Football Stadium near the center of Zenica is the "Papirna" Memorial Park (Photo 15). This complex, which was created in 1955 and designed by architect Juraj Neidhardt, commemorates those fighters and civilians from Zenica who perished during WWII. The primary elements of this park are several black stone monoliths inscribed with dedications to the +1,300 local victims of the war, with many having their remains interred within a crypt underneath this site. Meanwhile, several sculptural busts are also positioned around the park, depicting such Partisan heroes as Sead Škrgo, Tihoslava Ditrih, Borislava Ditrih, Miroslava Ditrih and Ibrahim Perviz. This park received substantial renovation efforts in 2019, as such, it currently exists in good condition. The exact coordinates for this site are N44°12'30.3", E17°54'29.7".

  • Zenica Ironworks HQ Memorial Park: Positioned in front of the headquarters of the Zenica Ironworks company is a memorial park that is populated by a number of sculptural busts, statues and markers that memorialize the people and events of WWII. Created in 1966, at the center of the park is a large stone slab engraved with the names of the 196 factory workers who perished during the war. In addition, there is a statue of Hasan Brkić, along with busts depicting figures such as Đorđije Đorđe Premović, Melentije Bošnjak, Remzija Rebac, Todor Butina, Franjo Hen and Mirko Davidović. These works were created by such notable sculptors as Ivan Sabolić, Želimir Janeš and Petar Krstić. While the park can often be found overgrown and untended, the site overall is in fair condition and the sculptures are well kept. The exact coordinates for this site are N44°12'44.2", E17°54'28.4".


Photo 16: The status "Galiot" in front of old RMK Inženjering Building in Zenica, BiH [source]


Photo 17: Miners & Engineers monument in Zenica. Credit: Djenis Hasanica

  • The Forgotten Works of Vladimir Herljević: One of the most notable sculptors who is from the Zenica region is Vladimir Herljević. Born in the nearby town of Vareš, he went to high school in Zenica, after which he went to Zagreb where he studied sculpture under the famous artist Antun Augustinčić. During the 1970s, Herljević came back to Zenica, where he erected two public works. The first is a bronze work titled "Galiot", situated in front of the old RMK Inženjering building, which depicts a galiot boat oarsman in action (Photo 16). The second work is a stone-carved memorial to miners & engineers (Photo 17), located behind the Zenica Ironworks compound. Neither of these works is well-known nor yet described in academic literature. Outside of Zenica, Herljević is most famous for his "Lady of Una" statue at Bihać, BiH, and the large Tito memorial statue at Velenje, Slovenia. The exact coordinates of the "Galiot" are 44°12'38.4"N, 17°54'31.5"E, while the monument is at 44°12'38.5"N, 17°54'15.9"E.


From the north side of the Bosna River in Zenica, while driving along Aleja Sehida, turn north at the Sparkasse Bank at the traffic circle onto Crkvice Road heading uphill towards Novo Selo. Before reaching Novo Selo, turn onto Smetovski Put (Road) which will take you through Novo Selo and all the way to the top of Smetovi Hill. Near the top of the hill you will find a wooden green-roofed tourist center/restaurant. From there, take a left continuing up the hill following the directional sign that says "Spomenici Smetovi". This road will take you to the top of the hill where the spomenik complex is and parking can readily be made anywhere on the hillside park area. However, you should be careful as the road's final approach to the top of this hill is very steep, while the road itself is very narrow.

Parking map to Zenica spomenik.

Click to open in Google Maps in new window

Local Guide:

For anyone looking for a local guide or fixer for the Zenica region who might need assistance in navigating or being led around to these specific sites listed on this page, I would recommend the local guide Afan Abozović. Bookings can be made at his Facebook page HERE, while his phone number is +387 62 107 719.  Afan is familiar with these sites and the history of the region.

Historical Images:



Please feel free to leave a message if you have any comments, if you have any questions, if you have corrections or if you have any additional information or insight you feel might be appropriate or pertinent to this spomenik's profile page.

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